| |
| |
| |
| |
| |
 |
| |
"A vivid alchemy of pop and post-punk."
Zane Lowe, BBC Radio 1 |
| |
"Absolutely gorgeous."
Mary Anne Hobbs, BBC Radio 1 |
| |
"The music that New York does best and loves best."
Annie Nightingale, BBC Radio 1 |
| |
"A mash up of drum rhythms and soulful pads changing from uplifting to dark in a blink of an eyelid."
IDJ Magazine |
| |
"A combination of guitars and electro sounds with the hint of a rattlesnake in the background."
Glasswerks |
| |
"A whirring collage of warping electro beat melodies salaciously herded together under a glazing chassis of deliciously manicured updated Miami Vice like grandeur."
Losing Today |
| |
"The mastery of beatwork is very evident, it's nice to hear a record more multi-dimensional than cold programming."
The Black And White Magazine |
| |
"Expect it to soundtrack a spooky art flick, but it won't because it's better than the film would be."
Bearded Magazine |
| |
"Experimental, rampant and very energetic."
Radio Onde Furlane |
| |
"Nebulous post-industrial soundscapes constantly tweaked and realigned to create one of the most original electronic records of the year to date. 4.5/5"
The Milk Factory |
| |
"Dizzying and compelling."
Brainwashed |
| |
"Iamprimate is able to resonate a vast array of emotions utilising only his voice and an acoustic guitar."
Tom Brumpton, Extreme To Serene Radio |
| |
"Impossible to ignore." Joe Marvilli, Consequence Of Sound |
| |
"Glass Rifle are a sonic battering of dischordant power pop, with killer guitar licks offsetting fierce beats that literally pummel you into submission." Zolton, Lost At E Minor |
| |
"It's tight, incredibly crafted and stands alongside any classic American underground sound... it's just an impressive contemporary take on a genre that remains relevant thanks to Glass Rifle."
Jason Dean, 7Inches |
| |
"The guitars on this are fiercely savage in the way Wire or Wedding Present drive you with subtle use of feedback. They got good tone." Review Stalker |
| |
"Moving, unconventional and provocative. Blazing a new trail in contemporary music" Tony Mastrianni, National Music Writer |
| |
"It may be just the ideology of Norman and friends to make music so edgy and disquieting as to be maddening and mind scattering." The Silent Ballet |
| |
 |